ist auf einen Sprung vorbeigekommen - ορισμός. Τι είναι το ist auf einen Sprung vorbeigekommen
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Τι (ποιος) είναι ist auf einen Sprung vorbeigekommen - ορισμός

POETIC RHYTHM DESIGNED TO IMITATE THE RHYTHM OF NATURAL SPEECH
Sprung Rhythm; Sprung verse; Sprung-rhythm

Adolf Sprung         
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  • Barograph designed by Sprung and Fuess
GERMAN METEOROLOGIST
Adolf Friedrich Wichard Sprung; Adolf Wichard Friedrich Sprung; Sprung's Formula
Adolf Wichard Friedrich Sprung (5 June 1848 – 16 January 1909) was a German meteorologist. He wrote a landmark textbook on theoretical meteorology in 1885, Lehrbuch der Meteorologie, in which he sought connections to underlying physical processes and observed meteorological observations unlike earlier works that were largely descriptive.
Nick Auf der Maur         
  • Ruelle Nick-Auf Der Maur
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CANADIAN JOURNALIST AND POLITICIAN (1942–1998)
Nick Auf Der Maur; Nick Auf-der-Maur; Nick auf der maur; Nick Auf Maur
Nick Erik Auf der Maur (April 10, 1942 – April 7, 1998)Downey, Donn. Montreal columnist chronicled cancer fight, A1.
-ist         
WIKIMEDIA DISAMBIGUATION PAGE
IST; Ist (disambiguation); -ist; IST (disambiguation)
(-ists)
1.
-ist is used in place of -ism to form count nouns and adjectives. The nouns refer to people who have particular beliefs. The adjectives describe something related to or based on particular beliefs.
Later he was to become famous as a pacifist.
...fascist organisations.
SUFFIX
2.
-ist is used to form count nouns referring to people who do a particular kind of work.
Susi Arnott is a biologist.
SUFFIX
3.
-ist is added to nouns referring to musical instruments, in order to form nouns that refer to people who play these instruments.
...Hungarian pianist Christina Kiss.
SUFFIX

Βικιπαίδεια

Sprung rhythm

Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd).

Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share. Sprung rhythm may be classed as a form of accentual verse, as it is stress-timed, rather than syllable-timed, and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally.